Slam Poets Rafael Casal and John Goode
Steven Wilder Davis
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All the guys in Subway last Monday picked up some useful tips when Jon Goode took the stage to perform his own brand of slam poetry.
“I always tell the ladies that Valentine’s Day is actually on February 16th,” he said, “because that’s when you can get three pounds of candy and two dozen roses for one third of the cost.”
“I’m like the TJ Max of love,” he laughed.
Alongside Rafael Casal, the two entertained crowd of roughly 40 with their own style of slam poetry.
Slam poetry is a fast-paced, highly rhythmic, socially conscience, often personal, and sometimes humorous brand of performance poetry. It is known to have a very urban feel to it and usually describes personal or social circumstances in urban American. The HBO series “Russel Simon’s Def Poetry Jam” is usually recognized as the show that brought national attention and popularity to slam poetry.
Both performers gave entertaining and distinct shows to the audience that evening, with each poet having varying focuses and history.
Jon Goode, originally from
“Pop hates this one,” he told the crowd.
Casal, originally from
“Boys don’t cry,” he said, “but men do”.
Casal and Goode aside, my only real complaint about slam poetry generally is that sometimes it seems to forsake the real content and power of the message in order to keep a strong and fast-paced rhythm. Casal and Goode gave some incredible insights into relationships, politics, family life, and problems in

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